During
the Christmas
holidays, I went with my uncle, aunt and cousins to see the musical
“Starmania” at La
Seine Musicale in Paris.
“Starmania” was written in 1976 by Michel Berger and Luc
Plamondon. It’s three hours long with a twenty-minute interlude.
This musical is known worldwide for its iconic songs like “"When
we Come to Town" or "The World is Stone". It’s
composed of 19 different songs ranging from pop to rock to Electro.
The plot takes place in Monopolis, the new capital of the West,
that is scarified by the Black Stars, a gang led by Johnny Rockfort
who acts under the influence of Sadia, an agitated pupil, a girl from
high society, who cross-dresses in the evening to go down underground
and give orders. They all meet at the Underground Café, under the
amused gaze of Marie-Jeanne, the automaton waitress.
Above this underground café rises the Golden
Tower, a hundred-story structure at the top of which is the office of
Zéro Janvier, a billionaire who has got
into politics. He bases his electoral crusade on the return to order
and the structure of the new infinitesimal world. He therefore
becomes the sworn adversary of Johnny Rockfort and the Black Stars.
It's in this environment that three similar
love stories play out:
the insolvable love of Marie-Jeanne for Ziggy, the youthful unisexual
and mythomaniac record
dealer; the sensational love of Zéro Janvier for
Stella, a sex symbol who has just said farewell to the cinema; the
passionate love of Johnny Rockfort and Cristal, the story
at the centre of the plot. Cristal, star
presenter of a TV show called “STARMANIA”, receives a phone call
from Sadia who offers her a covert interview with Johnny Rockfort,
whose face noone
knows. The rendez-vous
takes place at the Underground Café. Cristal and Johnny fall in love
with each other, and she runs away
with him. Sadia therefore loses her hold on the leader of the Black
Stars. Cristal thus decides to become
the prophet for the Black Stars by transferring corsair dispatches
using a neutron camera which allows him to take over the TV airwaves.
The themes covered are terrorism, racism, ecological crisis and are
therefore very
topical, which is
very impressive for a musical that was written
nearly 40 years ago.
During the show,
I was impressed by the voices of the actors which
made us go from one
emotion to another in very little time.
They sang
brilliantly while dancing frantically at
the same time! The dances were ingeniously
choreographed. The decors were very impressive, like the tower in the
last scene that was remarkably tall. They were also very well
designed, allowing actors to move very freely around the stage while
hiding the actors
so they could
navigate around the stage
with hidden stairs. The lights were also super impressive, they were
used at their
peak potential, changing between warm and cold colours depending on
the mood of the scene. The way the lights
moved was also
very well good:
during sad scenes they moved
very slowly and during more energetic ones their movements were
frenzied. Smoke was also used
at some point but, for me, the best piece of specials effect were the
rose petals falling from the roof at one point.
To conclude, this musical is an undeniable masterpiece that will
be seen as one of the best cyberpunk-themed artworks of all time
because of the vision that the authors had of today’s world, which
is shockingly accurate. It’s a true, once-in-a-lifetime experience
that everybody should try!
Axel Delevaque